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#1096
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Re: Stephen Leather's Private Dancer
In under 1 roof what moses lim did everytime he 'buay song' was right by going out of the hse for a kopi.
Another more extreme case I read b4 was Tony leung and Liu jia ling. Everytime they if quarrel tony will shut himself in his room or anywhere and refuse to come out till liu jia ling cool down liao. Can even sleep inside toilet sia...keke...abit extreme but still works lor. Words during heated exchanges r hurtful and we usually do not mean it so if u angry take a deep breathe count from 1 - 20 kenot than til 50 or 100 lor...when both cool down liao than talk is always best. ![]() |
#1097
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Re: Stephen Leather's Private Dancer
This is my favourite Thread, so I am share my current story and hope you bros can give me some advise.
I meet my current TG in March. Since then I visit her when I am in BKK for work or Leisure. She works in a KTV and I knows she doesn't sleep around. She knows I am married and she doesn't mind at all. We talk on the phone almost everyday and see each other at least once a month. When I visit, She would not go to work spend the whole trip with me. She never ask me for money but I always give her around 5-6K. She doesn't like to talk about money, as she know it will spoil the relationship. She would even call me if I don't call her in two days. My feeling for her is getting deeper and deeper. I don't even dare to visit MP even she say she is OK with it. I try hard to find reason to break up with her but she is just to good to me. She always tell me to take care of my family and never get angry when my wife called when I am with her. What do you think this will end? |
#1098
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Re: Stephen Leather's Private Dancer
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An average take-home for a KTV girl is 40-50k a month. I'm not saying she doesn't like you but understand what her job entails. She may not tell you because she doesn't want to hurt you etc. |
#1099
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Re: Stephen Leather's Private Dancer
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C'mon, you are married. You cannot marry her. You cannot give her status. You are not even considered her husband. Even if you are considered her bf, so? The bottomline is you are MARRIED. You and her have no future. She knows the answer. She is with you not because of obligation, because she is not your WIFE. She is with you probably she needs a companion. Someone whom she can talk to. ( I didn't say someone whom can understand her). If you really really love the girl, you should know when to let her go. The answer is "WHEN" PS: Even MAMASANS sleep around, though not for the sake of money at times. We just have to learn to open 1 eye and close 1 eye when we are dealing with such matters. SC
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Those People who try to haolian how rich, how good they are in Sammyboy forum, in real life, we can call them Cannon Fairies. Men will only be troubled by 2 issues. 1 is Money, 2 is Women. When these 2 issues combined together, it becomes the biggest problem encountered for Men... |
#1100
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Re: Stephen Leather's Private Dancer
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#1101
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Re: Stephen Leather's Private Dancer
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Chok dee bro. |
#1102
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Re: Stephen Leather's Private Dancer
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I have no right to be question her life as I am not exclusive to her. I always tell her to go and find a good boyfriend. She has a lot of other offers during all this time. One of them is Singaporean. But she turn them down. Part of the reason is that she came out of a very bad relationship before she met me. She just wants a companionship but not a long term relationship. I am totally honest with her. I even bought her to my house before. Sorry, can't share the detail. |
#1103
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Re: Stephen Leather's Private Dancer
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#1104
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Re: Stephen Leather's Private Dancer
Finished watching "The Good Woman Of Bangkok" again after 2 years since I last watched it after a friend passed the VCD to me
Thought provoking though movie wasn't quite well done. Will do a summary these few days. You guys can do a search on the GOOGLE AND YAHOO engines. I am thinking what will happen if I actually show the contents to a Thai Lady................... SC
__________________
Those People who try to haolian how rich, how good they are in Sammyboy forum, in real life, we can call them Cannon Fairies. Men will only be troubled by 2 issues. 1 is Money, 2 is Women. When these 2 issues combined together, it becomes the biggest problem encountered for Men... |
#1105
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Re: Stephen Leather's Private Dancer
Hi Guys,
After reading through most of this thread I thought I better contribute something. Just came back from Pattaya a few days ago and have since read Private Dancer. In my opinion its probably mostly true and I can see how a guy could fall into this trap. (Sad that its not all available on line any more) Even down to the standard things the girls tell you and the description of the places its all exact. I spent 4 LT with one bar girl and had 6 others in 12 days. None have asked me for money but I still get e-mail from the 1 LT bar girl. I guess the good (or bad) thing is that she doesn't speak English and I don't speak Thai. Pretty hard to give a sob story right ![]() I have to say though that the level of service (at least from that one) was the best I've ever had. Complete with washing me in the bath, feeding me, doing my nails, getting me drinks and being extremely protective about other women. This is all in 4 days ![]() You never know but she might be a good one. I'm safe since I can't just trip there like you guys in Sing can. But I really liked the atmosphere of the bar she worked in so might go back just for that. I'm in Singapore next month on business and I'm taking 2 weeks off to trip around again. Might go back to Thailand but at the moment I'm thinking Bali for at least 1 week. Then maybe Thailand again but probably not. Something that "Private Dancer" fails to say is that the place has massive air pollution and the beaches that I saw were really bad. There is really no other reason to go except for the girls. Girls are everywhere but maybe not as good. Hope this report adds to the discussion. |
#1106
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The Good Woman Of Bangkok
Do a brief summary first on the Good Woman Of Bangkok.
The movie starts off with the director Dennis Rourke going to the issan province interviewing an old thai lady. The old lady relates the different "social classes" in the province itself in relation to big houses, new cars, etc. Of course the breadwinners are none other than the WLs themselves. After that the movie moves on to the different P4P places in Bangkok. Bars, Pubs, A-go-gos. In between, it consists of conversations of Aoi (the so-called lead) and her friends. Let me extract the film review here http://www.mith2.umd.edu/WomensStudi...-bangkok-fuchs Watching Dennis O'Rourke's _The Good Woman of Bangkok_ is a disturbing experiencce. Both frustrated and smug, the film appears to be about a Thai prostitute named Aoi, specifically her harsh existence and subsequent anger. On top of this, the movie constructs a clever meta-text concerning the imperialistic intersections of the sex industry and filmmaking. While such an idea is hardly news, _Woman_ offers it up as a weighty cultural insight, a painful exposure of the way it "really is.'' The route to such insight is (of course) circuitous. The final credits reveal that this is a "documentary fiction,'' announcing O'Rourke's disdain for the more traditional mode of what he terms elsewhere, "truth in a box.'' Here the use of documentary conventions, like talking heads and handheld camera excursions through Thai bars at night, is framed by an elaborately styled empathy for Aoi, apparently cool and ambiguous, but most often emerging as a kind of lumpy moralizing. An early title in the film informs us that O'Rourke (in the third person) went to Thailand following his divorce at age 43, "trying to understand how love could be so banal and also so profound.'' In other words, he went there to check out Bangkok's notorious traffic in women. Once there, he met Aoi, made her the subject of his movie in exchange for a rice farm, left after nine months, and has recently been on the interview circuit claiming that he "willed'' himself to fall in love with her so that they would be equivalent "victims.'' (He says, in at least one conversation, that at the time he eschewed condoms in order to "share'' her risk of AIDS.) O'Rourke's seriously self-serving logic suggests his film's moral parameters: to be a victim is "good'' and to exploit is "bad.'' _Woman_ straddles this flimsy ethical fence by extending a cursory analysis of the economic and gendered power structures of prostitution. This includes repeated shots of dark and smoky bars, stages where naked women put various objects in their vaginas for cheering and hard-drinking customers, even backstage dressing rooms where the women complain to one another. Such conventional raucus night-life images are intercut with still camera shots of the soft-spoken Aoi, showing her private self, different from her otherwise highly performative existence. In the apartment she shared with O'Rourke for the duration of the shoot, Aoi speaks to her mirror reflection or to the lens directly, worried about hiding the fact of her glass eye, or applying makeup for an evening's work. While these shots and her unhappy observations appear to highlight the parallels between filmmaking and prostitution (exhibition, exploitation, prevarication), it's important to remember that Aoi's performance in this particular context is never unmediated. In this way, even her self-presentation as a victim of male oppression is layered with another, aestheticized victimization. If O'Rourke's voice only occasionally intrudes, to ask a question from offscreen, the probing camera eye is constant. The film seems to "act out'' a creepily self-conscious voyeurism: Aoi covers herself with a sheet as the camera pans her body on a bed. This constant looking shapes the film's version of her sad story (her father abused her, her husband abandoned her when she was two months pregnant, now she's supporting an old mother and infant son). When she declares her hatred for "all men'' because they are "old, ugly, filthy, obscene,'' her tears appear genuine. But what does "genuine'' mean now, in front of a camera, talking to a man who has promised her land in exchange for her services? These frankly excruciating interviews with Aoi (her hopelessness is horrific and articulate) underline the ignorance of various clients. If the large percentage of Asian customers likely refused to be photographed, not so the brazen white men: interviewees are Dutch, Australian, and U.S. citizens with no face to lose. (While the film focuses specifically on bars where Caucasian men hang out, it manages to avoid mention of the industry's widespread racism.) A young American ponders the class issue in a bar as topless women dance behind him: "This is all they can really get because they haven't got any education.'' So what he and his buddies do, they reason, is "help them.'' Aoi's own concern with wanting to be a "good'' woman is framed by a familiar dichotomy, between the good village where her family lives (including a talkative elderly aunt), and the evil city where Aoi lives and works. This moralized opposition is reinforced by very old ideas about sexual difference, along with the titillation of interracial sex. In this fiction O'Rourke is the would-have-been hero. The melodramatic link between prostitution and love (O'Rourke might have saved her if only Aoi hadn't been so previously broken by other men) seems to overwhelm another story: that such romance is perpetuated by male customers - men like O'Rourke. In an effort to display her (or was it to "understand'' love?), he appropriates her virtuous vulnerability (he did have sex without a rubber, right?). But according to this movie, virtue for men (and filmmakers) is complex, always predicated on power that must be voluntarily abdicated or, barring that radical act, exposed. At one point the film includes footage that indicts his own parasitical activity. "I'm eating now,'' she says while slurping noodles. "It's nothing to do with your film.'' He keeps filming. She hisses at the camera. The last story is the strangest. Looking like one more object of an anthropological gaze, she is, after all, also a willful user who will continue to whore after the good artist has left town because, an end title says, "It is my fate.'' Fate? But the unseen coda of this film's fiction is this: O'Rourke says in an interview that as far as he knows, she is no longer a prostitute. Just whose fiction is at stake here anyway.? SC
__________________
Those People who try to haolian how rich, how good they are in Sammyboy forum, in real life, we can call them Cannon Fairies. Men will only be troubled by 2 issues. 1 is Money, 2 is Women. When these 2 issues combined together, it becomes the biggest problem encountered for Men... |
#1107
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It is My Fate. And I have no CHOICE. I have to accept it.
It is MY FATE, And I have no CHOICE. I have to Accept It
The exact words which one thai girl said to me. Why do I go back watching the GOOD WOMAN OF BANGKOK? I wanted to see Aoi's reaction when she said this sentence and also the reaction of the thai girl when she said to me. Verdict: IT IS THE SAME REACTION. When someone says this to you, it sends a chill down your heart. To be frank, I feel disturbed. Not feeling sad. Just that does Fate really determines one's future without giving him/her a choice? SC
__________________
Those People who try to haolian how rich, how good they are in Sammyboy forum, in real life, we can call them Cannon Fairies. Men will only be troubled by 2 issues. 1 is Money, 2 is Women. When these 2 issues combined together, it becomes the biggest problem encountered for Men... |
#1108
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![]() Quote:
anyway..interesting to see a diff perspective ...a review of a social documentary movie, wow. Dennis O'Rouke may do for BKK what Hou Siao Hsien did ofr Taipei/Taiwan ![]() Anyway, back to the theme of Fate and choice... there are generally 2 schools of tot. The so called orthodox old school would let fate determine their lives so their choices are dictated by Fate. The 2nd school is the more dynamic liberal view of self-deterministic... in other words you can change fate to some extent (not all cases 'cos someone could be handicapped so their choices are limited but then again there are handicapped who beat the odds like Stephen Hawking) and widen your choices. Just my 2 cts worth on this interesting topic of fate and choice. ![]()
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Money Talks, Bullshit Walks (Murphy's Law-USA?) The one with the gold makes the rules (Murphy's Golden Rule-USA?) No Money, No Talk (The Hui Brothers-HK) No Money, No Honey (David Brazil- Singapore?) ![]() "Going for the 10,000 (bonkable quality also, not just quantity) record" |
#1109
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Re: It is My Fate. And I have no CHOICE. I have to accept it.
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![]() Probably the biggest WL hit is "Pretty Woman" Julia Roberts and before that maybe "Taxi Driver" with Jodie Foster as WL Even "true reality WL" movies (i.e. porn movies) are least succesful movies, hehe ![]()
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Money Talks, Bullshit Walks (Murphy's Law-USA?) The one with the gold makes the rules (Murphy's Golden Rule-USA?) No Money, No Talk (The Hui Brothers-HK) No Money, No Honey (David Brazil- Singapore?) ![]() "Going for the 10,000 (bonkable quality also, not just quantity) record" |
#1110
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Re: It is My Fate. And I have no CHOICE. I have to accept it.
Quote:
Fate makes fun of people........ SC
__________________
Those People who try to haolian how rich, how good they are in Sammyboy forum, in real life, we can call them Cannon Fairies. Men will only be troubled by 2 issues. 1 is Money, 2 is Women. When these 2 issues combined together, it becomes the biggest problem encountered for Men... |
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